Three final images flashed across Serenity’s mind as he disappeared into the jaws of the colossal crocodile: a rotting buffalo with rivers of maggots and armies of flies emanating from its cavities; the aunt of his missing wife, who was also his longtime lover; and the mysterious woman who had cured his childhood obsession with tall women.
I know the title sounds misleading, but this novel isn’t about Ethiopia (once known as Abyssinia), but Uganda. (This is sort-of-explained by the narrator’s father (Serenity) thinking that the ancient land called Abyssinia should really be the modern land of Uganda, but I wasn’t sure exactly what Isegawa was thinking of here – obviously not Homer’s “blameless Ethiopians”).
When I was growing up just about all we heard about Uganda was about its crazy dictator, Idi Amin Dada, who was an endless source of both jokes and horror to the rest of the world (Uganda seemed a safely small and remote place). A great novel (and film) about his time is The Last King of Scotland by Giles Foden. Obviously being a bigoted buffoon doesn’t stop someone from being powerful (I’m writing this on Donald Trump’s inauguration day). But I should say that although I haven’t visited Uganda – I’m hoping to, perhaps on my next trip – those who have been there seem to universally find the country beautiful and the people great, and say that it’s one of their favourite African countries.
Isegawa is a fluent writer who spins an interesting tale of a family interwoven with Uganda’s turbulent history. However, I have to admit that I couldn’t get my hooks into this novel. None of the characters are really sympathetic, and the narrator (Mugezi), especially, although he is an understandable product of his unattractive parents (the family is like a microcosm of a dictatorial regime), is not a nice piece of work – an admirer of the Idi Amin at the beginning (later he acquires a bodyguard called Amin who “was reprisal himself”), with pretty racist opinions of the local Indians whom the dictator expelled from their country, who seems to despise almost everyone and resorts to some ugly stratagems to get ahead in his quest to gain control. The complete modus operandi of the despot is on display – intimidation, bullying, censorship, torture, protection, power struggles and lies. He seems to hate everyone and even contemplates using his would-be fiancée as a means of getting revenge on his father.
Although Isegawa wrote the book in English, it was first published in Dutch in the Netherlands where he was living then (he since moved back to Uganda.
As others have said, the novel strangely amoral, I’d say even sometimes immoral. It’s also often quite earthy, as you might gather from the opening quotation above (but not magical realist, as I first thought). Nevertheless, it is quite readable. I just wish there was someone in it I could like…
Isegawa, Moses (1963 – ), Abyssinian Chronicles, New York, Vintage, 2001, ISBN 0-375-040613
[originally published in the Netherlands 1998 as Abessijnse kronieken]