Book 88: Belgium (Flemish/Dutch) – De Intrede van Christus in Brussel = Christ’s Entry into Brussels (Dimitri VERHULST)
In recent years, when travelling abroad, it had struck me that I was having to explain ever more frequently that there was no civil war raging here. The disconnect between political discourse and civil life could hardly have been more obvious. Flemings and Walloons weren’t staring each other down with swords drawn; our bricklayers worked together on the same sites, and what they built stood nice and straight; the Mint Orchestra consisted of musicians from north and south, and nevertheless they could play La Finta Giardiniera in the same key; people married each other across the language borders, and in their households they fought the battle of doors and pans neither more nor less than anyone else, they found the same warmth, the same chill in each other’s arms. But the populist slogans of our loudest dog-whistlers gave some outside observes the opposite impression, and kept important investors away.
I had been intending to reserve Belgium in order to finally get around to reading that most prolific of thriller writers, Georges Simenon, but meanwhile I had stumbled onto this fascinating novel, and it became my choice.
It was no doubt inspired by fellow Belgian James Ensor’s famous Symbolist painting, “The Entry of Christ into Brussels, 1888”, although as Verhulst points out, the Holy Family would seem to have a special affinity with Belgium going by the number of their visitations (especially by the Virgin Mary).
Like the painting by Ensor (and Bosch before him) it has a deliciously misanthropic view of humanity. It gets off to a depressing, workaday, cynical start, not what you might expect for such an epoch-making event, with nondescript weather. The people of Brussels can speak every language – but won’t talk to one another. (And the Messiah’s return leads to a frantic search for an Aramaic speaker). Jesus’ second coming is pre-announced in the news feeds, but apparently no one believes it, certainly they don’t communicate it to anyone else. Ironically, the most worried about it seems to be the Church, over sins like priestly paedophilia.
Since the whole novel is taking the piss out of Brussels, I was expecting the Maneken Pis to put in a cameo appearance, and I wasn’t disappointed.
The Belgians’ self-deprecating nature stops the rest of the world (and Belgians themselves?) from realising what a wonderful country they’ve got. It was almost too unremittingly jaundiced for me, maybe too much for some.
If you don’t like sarcasm, steer away from this book. But in the end I loved it – the best satire I’ve read since Jonathan Swift. It is often very funny – such as the Life-of-Brian moment where despite his denials a hippie is mistaken for the returned Christ, is mobbed and ends up in an institution convinced of his divinity.
For such a slim novel, I learnt an enormous amount about Belgium (reality and stereotypes), which Verhulst calls ‘geography’s hypochondriac’.
VERHULST, Dimitri (1972 – ), De intrede van Christus in Brussel (in het jaar 2000 en oneffen ongeveer), Amsterdam/Antwerpen, Contact, 2011, ISBN 9789025437534
English title: Christ’s Entry into Brussels (in the year 2000 and something, or thereabouts), London, Portobello, 2014